UNTIL DATE OF SALE 


FROM 9 A.M. UNTIL 6 P.M. 


A LARGE COLLECTION 


gle OF 


OLD AND MODERN 
OIL PAINTINGS 


UNRESTRICTED PUBLIC SALE 
_ AT THE AMERICAN ART GALLERIES 


EVENINGS OF THURSDAY AND FRIDAY 
MARCH 20TH AND 21st 


BEGINNING AT 8.15 O’CLOCK 


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oN” THE ‘EVENINGS HEREIN STATED 


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“AT THE AMERICAN ART GALLERIES 


5 MADISON SQUARE SOUTH 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
ASSISTED BY 
Soave: OTTO BERNET AND MR. H. H. PARKE 
THE AMERICAN ART ASSOCIATION, Manacers 
6 EAST TWENTY-THIRD STREET 
MADISON SQUARE SOUTH 
NEW YORK 
1919 


‘DESIGNS TEs: CATALOGUE } AND DI. 


ALL DETAILS OF ILLUSTRATION oe 
TEXT AND TYPOGRAPHY = 


CONDITIONS OF. SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 
cide the same or put up for re-sale the lot so in dispute. ~ 


3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 
ing from such re-sale shall be a charge against such purchaser. 

4, Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 
of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. ‘The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 


7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on. account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 
opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South. 


root tae 


- 


- 


FIRST EVENING’S SALE 


THURSDAY, MARCH 20, 1919 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


ROMAN SCHOOL 


SEVENTEENTH CENTURY 
1—ST. PETER, IN PRISON AW. i 0D srrane 
} ae Height, 9 inches; length, 12%, inches 


St. Prerer, with a red mantle across his knees, is seated in prison. 
A figure on the left pours water over his outstretched hands, an- 


other on the right offers him food. 


we , 


MATTIA PRETI 
CALABRESE: 1613—1699 


2—CAIN AND ABEL (OE nate 
vs ae 


Height, 1314, inches; width, 101, inches 


Tue slain figure of Abel lies on the ground, and over it kneels 
Cain in regretful contemplation. Another male figure stands by 


the rocks in the left background. 


FRANCESCO TREVISANI 
Roman: 16 Rees eS rE 
3—THE MUSE OF POETRY 
oi es | Height, 16 inches; width, 91, itches 


Berore a recessed niche is seated the poetical figure in gray, blue 
and yellow robes. Her eyes are raised. Neutral background. 


ROMAN SCHOOL 
4—ST. MATTHEW Pare Wr WD earner 
3 as (Companion picture to Nos. 5, 6 and 7) 
Height, 114% inches; length, 16 inches 
Tue saintly figure in white and green robes, on clouds, has his 


left hand raised. An angel is on the left, and a reclining bearded 
figure on the right. A white dove in the right foreground. 


ROMAN SCHOOL 


5—ST. MARK Rav . 7) ie Vn 


> ot (Companion picture to Nos. 4, 6 and 7) 
Height, 11% inches; length, 16 inches 


Tue bald-headed and bearded Evangelist, in gray and white 
robes, is seated between two angels on clouds. The lion crouches 
in the right foreground. 


ROMAN SCHOOL 


6—ST. LUKE AD 8. rg, 
GAAEL. 
i (Companion picture to Nos. 4, 5 and 7) 


Height, 1114 inches; length, 1534 inches 


Tue Evangelist, in white and saffron robes and seen on a bank 
of clouds, regards the picture held before him by an angel. On 
the right is a bearded figure with a scroll and book. In the left 


foreground crouches the emblematic ox. 


. ROMAN SCHOOL 


7—ST. JOHN ee ik $ Oe 


mas (Companon picture to Nos. 4, 5 and 6) 
Height, 111% mches; length, 16 imches 


In green robe and red overmantle he is seated on clouds, on 
which is a book held up by angels; an angel is astride the sym- 
bolic eagle. On the left is a reclining figure with harp and scroll. 


ATTRIBUTED TO GIUSEPPE CESARI 
Rome: 1568—1640 


8ST. JOHN THE BAPTIST Ky. & Adachi 


Poe * inde Height, 1314 imches; length, 1634 mches 


In a cave the youthful Saint, nude but for a large red mantle 
round his loins, reclines on the ground, on which, by his side, 
is his emblematic cross. He points to the landscape seen outside 
the cave. 


PIETER VAN LAAR 
DutcH: 1582—1642 


9—RETURNING FROM MARKE Q 
ae 5 ? | ; 
’ sees Height, 121% inches; width, 9Y% inches 


A PpEasANnT in tattered but gaudy attire walks toward the front 
by the side of his ass. Neutral background. 


DUTCH SCHOOL 


EIGHTEENTH CENTURY 


10—PORTRAIT OF A GIR). YV gah gre 


(Wood) 
ye 
: 7 ere Height, 14 inches; width, 1014, inches 


SmaLu, three-quarter-length figure, three-quarters to the left. 
She wears a brocaded dress, a lace cap, ruff and cuffs, is seated 
and holds an apple in her left hand on her lap. Dark back- 


ground. 
Apparently based on a reading of some larger picture by Frans Hals 
or one of his group. 


ITALIAN SCHOOL 


em C.F Aare 


) 6 yas 
Height, 17 inches; width, 138% inches 


11—THE NATIVITY 


Tue Virgin and a shepherd kneel in the foreground before the 
Child, who, in the cradle, is illuminated with a strong light. 
In the left background kneels St. Joseph; another figure in the 
right background. Angels in the clouds above. 


BOLOGNESE SCHOOL 


EIGHTEENTH CENTURY 
. 


MG ei ONY IN GLORY’ E. Therreur 


sh —- Height, 1734 wmches; width, 1214 inches 


St. AntHony, with hands extended in ecstasy, kneels on clouds. 
Putti with a sword, a crown and palms are in the foreground. 


ROMAN SCHOOL 


13—_THE ASSUMPTION OF ee a) 
be oe Height, 18 inches; width, 114% inches 


Tue Virgin, in white tunic and-blue mantle, is accompanied by 
the heavenly host while passmg upward from the tomb. By the 
side of it St. Ambrose, bearded and wearing his ecclesiastical 
robes and the mitre, stands in the left foreground; a book on the 
ground at his feet. 


GIOVANNI ANDREA SIRANI 
Booena: 1610—1670 


14—THE NATIVITY Oe aan 


(J “Height, 14 inches; length, 18 inches 


Ix the center, in a gloomy interior, the Virgin bends over the 
body of the Infant Christ. St. Joseph is in the left background; 
shepherds kneel on the right and make their offerings; angels 
in the sky. 


SCHOOL OF VAN DYCK 


15—CHRIST IN THE TOMB 
hh Wiel 
a P Height, 181% inches; width, 1414 inches 
7 —_ 


Tue Dead Christ, reclining on a grave sheet, is ministered to by 
the Virgin, who kneels on the left. Nearby are St. Joseph of 
Arimathea, St. John and St. Mary Magdalen in sorrowful con- 
templation. 


ITALIAN SCHOOL 


SEVENTEENTH yee 


Ente 


16—THE APPARITION OF CHRIST 


~~ 


3 fas Height, 19 inches; width, 14 mches 


In the right foreground the Virgin, ministered to by other fig- 
ures, swoons as she regards the apparition of the Crucified on 
the left. Architectural setting. 


ITALIAN SCHOOL Ss 
Wee 
17—THE BAPTISM OF cane he a | 
Dos Height, 26 inches; width, 914 inches 


Curist, wearing a loin-cloth, inclines His body over the waters 
of the River Jordan. Farther back stands St. John, with the 
reed cross in his hand. The Dove and angels in the sky. 


SIMONE CANTARINI 
Botoena: 1612—1648 


18-THE LAST JUDGMENT C- Lach G Manrec 


6% Height, 21 inches; width, 111, inches 


Curist, with orb and scepter in His left hand, is enthroned on 
clouds. His right hand is upraised. Below are many figures in 
the flames, and angels descend toward them on the right. 


ROMAN SCHOOL 


SEVENTEENTH CENTURY 2 | ° , 


19-THE MADONNA AND CHILD 
WITH ST. ANTHONY OF PADUA 
Cs AND CATHERINE OF SIENA 


Height, 21 inches; width, 16 inches 


Tue Virgin, enthroned under a baldacchino, holds the Infant in 
her arms. On her left and right kneel St. Anthony and St. 


Catherine of Siena. 


ATTRIBUTED TO MARCO RICCI 


VENETIAN: 1679—1729 ee , 4 La hereey 


20—ST. ANTHONY IN GLORY 
8. Height, 24 inches; width, 1381/4, inches 


St. AntHuony of Padua, in Dominican robes, is supported by 
angels on clouds, as he gazes upward at the Eternal in the sky 


above. 


GIOVANNI ANDREA SIRANI 
Botoana: 1610—1670 


21—-THE HOLY ae hla 


Rf Sa Height, 21 inches; width, 16 inches 


Sr. JosepuH, with the Child on his knee, is turned toward the 
right, where, in the foreground, sits the Virgin, wearing a red 
tunic and blue mantle. God the Father and angels, with the 
Holy Ghost, in clouds. 


A good picture of its school. 


a 


ITALIAN SCHOOL 


KIGHTEENTH OFF R ee tnt 


22—A CLASSICAL SUBJECT 
DAs — Height, 12% inches; length, 25 inches 


A warrior, his shield on the ground by his side, is asleep in the 
open country. A river runs through the left background, the 
water issuing from the vessel held by the river god seated on 
the right. 


ANDREA LOCATELLI 


Rome: ee C WW 
23—-ABRAHAM DRIVING FORTH 
oes HAGAR AND ISHMAEL 


Monochrome: Height, 17 inches; length, 25 imches 


ABRAHAM, who has just descended the steps of his house, sends 
forth Hagar, by whose side walks Ishmael. Sheep, cattle and 
herdsmen are gathered round the well on the right. 


FRENCH SCHOOL 


24—A SCENE OF MARTYRDOM is 
’ \A2A_Lvet- 


oS aa Height, 19 inches; length, 211% inches 


Tue symbolic figure of a woman draped in white, having been 
rescued by a warrior, descends the steps of the funeral pyre. 
On it a man has been bound by the executioner, while his as- 
sistant is preparing to apply the lighted torch to it. Other - 
figures in armor in the left foreground. A walled city in the 
background. 


FLEMISH SCHOOL 


E1icHreentu CEentury © See & & pt htraee 


25—_THE STIGMATIZATION OF ST. FRANCIS 
i Of eight, 23 mches; width, 18 mches 


THE scene is set in a retired spot where St. Francis is in ecstasy 
before the large crucifix set on rocky ground. The imprints of 
the stigmata are on his hands, and the clouds above to the left 
are brilliantly lit. In the left background Brother Leo is seated 
near a waterfall. 


ATTRIBUTED TO 
MICHELANGELO CERQUOZZI 


Rome: Zi PA te of > 
- 0. MUnerrrwwe 
26—THE ADORATION OF THE MAGI 
Of Height, 17 inches; length, 24 inches 


Tue Magi are grouped round the Virgin, who is enthroned with 
the Child. Camels in the right background. An architectural 
setting on the left. 


SPANISH SCHOOL 


27—_ST. JOHN Oe 


VRAOYaete 
3 << Height, 24 inches; width, 181% inches 


Tue Saint, in ecclesiastical robes and with hands outstretched, 
is supported by angels as he passes upward in the sky. Below 
is a bridge, apparently that of Prague, which leads from a city 
with domed buildings. In the center of the bridge is the Bohemian 


legendary incident of St. John Nepomucen, of Prague, falling 
headlong into the river. 


FRANCESCO GUERCINO 
Botoena: 1591—1666 


28_-CHRIST IN GLORY tha Ke. 1 ie 


/ a-s® Height, 26 inches; width, 154% inches 


Tue dead Saviour, wearing a loin-cloth, reclines on clouds at the 
foot of God the Father, who, with outstretched hands, sends 
forth the Dove. Angels on either side minister to Christ. 


GIROLAMO MAZZUOLA 
Parma: 1500—156 ¢ 


29-THE MADONNA AND CHILD | 
yy Ba Lissa WITH SAINTS 


Height, 28% inches; width, 1514 inches 
Tue Virgin, seated on clouds, holds the Infant in her arms; on 


the left is St. Catherine of Siena, and on the right St. Lucy. In 
the foreground are St. Anthony of Padua and St. Augustine. 


GIACINTO CORRADO 
Napres: 1693—1765 £ p uy. ee 
30—THE MADONNA AND CHILD jee 
WITH SAINTS AND ANGELS 
a 
vA g Height, 25 inches; width, 19 inches 
Tue Virgin, enthroned on the right, holds the Infant in her arms. 
At the foot of the throne are angels with books. In the left 
foreground kneels a saint holding a quill pen in his right hand. 
MARCEL RIEDER 
FrencH: CoNTEMPORARY 
ES: i f j ; 
31—THE TRIO Vin. Chee bx. 
As / gogo Height, 20 inches; length, 24 inches 


An interior; a young woman plays with one hand at the piano, 
which is lit by candles and a lamp. Near her sits a man with a 
violoncello. To the left a young man is tuning up his violin. 
Pictures on the walls. A man and a woman in the right back- 
ground. 

Awarded a Médaille de Bronze. 


ANDREA SACCHI 
Rome: 1598—1660 


{) 
32ST. GREGORY THE nite. H.} Teg 
ge 


DURING THE PLAGUE ‘* 
Pore Grecory THE GREAT, in full raanaials. kneels in the fore- 


Height, 25 inches; width, 19 inches 
ground as he prays for the abatement of the Plague. Behind him 
an acolyte holds the papal tiara, and a priest holds the Cross at 
the moment that the procession, seen through an arch in the 
background, passes toward the Holy City. In front are the papal 
arms; a curtain is looped up to frame in the composition. 


FRANCESCO SOLIMENA 


NAPLES: Rees Lbuwth 


33—THE MADONNA AND CHILD 

/. se aS Height, 28 inches; width, 16 mches 
Tue Virgin is enthroned, with the Child standing beside her, 
wth a Franciscan and Dominican monk kneeling on either side. 


Among the other figures is an angel holding the chalice. A red 
curtain hangs in the background. 


SPANISH SCHOOL 


SEVENTEENTH CENTU VY oe PRE i, 


34—THE MADONNA AND CHILD 

/ 5S — Height; 26 inches: width, 10 amd 
Tue Virgin, seated on a cloud, holds the Infant in her arms; 
angels surround her. In the foreground the Apostles are as- 


sembled round the empty tomb from which the Virgin has 
ascended. 


MARC ANTONIO BASSETI 


VENETIAN: ee i a 


35—THE ASCENSION OF CHRIST isin: 
2 yeahs Height, 281% inches; width, 171% inches 
CuristT, surrounded by a brilliant light, ascends into heaven. 


Moses, with the Tablets of the Law, and angels are in the upper 
sky. The Apostles are grouped on the earth. 


BOLOGNESE SCHOOL 


86—THE APPARITION oe eee 
ace hae Height, 29 inches; width, 18 inches 


Monks, grouped in the foreground, contemplate the Divine, who 
appears in the brilliant light of heaven. Angels in the sky. 


EDOUARD ROSSET-GRANGER 


FRENCH: CONTEMPORARY 


37—CURIOSITY LS are 4 
Y got Height, 2734 inches; width, 2134 inches ae 
A LiTT Le girl, dressed in black, stands in a wet street at night 


and looks in at a shop window. 


Signed in the bottom left corner. 


WILLIAM BASTIAAN THOLEN 


Dutcu: Contemporary (Born 1850) 


388—AN INTERIOR 
Ke Oo te Height, 27% mches; width, B14, inches 


é 
A sMALL boy is seated at the far side of a table, with a meal 
set before him. With his left hand he feeds the jackdaw on the 
perch on the right, beyond which is an open door. A birdcage 
hangs near the curtain on the left. 


G. RICARD-CORDINGLEY 


Frencu: Contemporary (Born 1873) 


39_NIGHT IN CANCALE 2  G cacl. 


Gi (ae Height, 24 inches; width, 18 inches 


A MAN and a woman are passing down the street; a lamp hangs 
outside a large house, with a balcony, on the right. Starry sky. 


Signed in the right bottom corner. 


FRANCOIS LE MOYNE 


FRENCH: fe tb. « 


40—THE ASSUMPTION OF THE VIRGI 


2 A pia Octagonal: Height, 24 inches; length, 29 inches 


Tue Virgin, in pink tunic and light blue mantle, is seated on 
clouds and in ecstasy amid the heavenly host. 


JEAN JOUVENET 


FRENCH: ee 2 y 4 


41—ABRAHAM SACRIFICING ISAAC 
=2 6 °> Height, 38 wmches; width, 17 mches 


Aw angel is seen at the moment that Abraham, with upraised 
hand, is about to slay Isaac, who, with head bound and hands 
tied, kneels on the right. God the Father and the heavenly host 
are in the sky. 


ITALIAN SCHOOL 


EIGHTEENTH CENTURY 


rons ta theates 


oS — Height, 303% inches; width, 251% inches 


Tue Goddess of Flowers, with roses in her hair, is seen at full 
length and seated. A Cupid brings flowers and two others are 
in the sky on the left. 


PIEDMONTESE SCHOOL 


Nortu ITAnian 


43—ST. ONOFRIO (?) bea. pe 


Des Height, 25 inches; length, 80 inches 

¢ 
THE Saint, an ecclesiastic in full canonicals, kneels in contempla- 
tion of the Cross; on the ground in front are a book and a lily- 
stem. Angels and the Holy Dove are in the clouds. 


LOUIS PICARD 
Frencu: Born 1850 


44—THE VIOLET GIRL Z isa og Pr 4 
3 ASO Height, 32 inches; width, 25% mches ( 


A err in brown dress, and long brown hair falling over her bare 
shoulders, has a basket by her right side as she holds in her left 
hand a bunch of violets for sale. She stands on a balcony. A 
river in the background; a bridge and the lamps lit to the left. 


ITALIAN SCHOOL 


EIGHTEENTH CENTURY 


45—A SAINT IN ee Z GQ tories 


J 2 —  — Height, 3614 inches; width, 2014, inches 


Tue Saint in full canonicals kneels on clouds on which are angels, 
one of whom holds the Crown of Thorns for his contemplation. 
More angels are in the upper sky. 


FLEMISH SCHOOL 


EIGHTEENTH CENTURY 


(Panel) Je 


46—CHRIST ON THE CROSS 
a a Height, 845% inches; width, 25 inches | 


Curist is on the Cross in the center; the Virgin and St. John 
stand on either side. Mary and Magdalene near. St. Jerome and 
a Carthusian kneel in the foreground. Angels with chalices in 
the sky. 


An archaistic version of a Jan Provost type of composition. 


SPANISH SCHOOL 
eee CO 
47—CHRIST BEARING THE CROSS // 
* a %& - Fy eight, 37 inches; width, 2814 inches 


Hazr-Leneru figure of Christ, bearded and wearing a white robe 
and the crown, holds the Cross against His right shoulder. 


Pe. » .. 
car 


aw 


ITALIAN SCHOOL 


SEVENTEENTH CENTURY 


48—A CLASSICAL COMPOSITION 


F cee Height, 2834, inches; length, 39/in 


Matz figures move toward the left, with pwttt grouped round a 
candelabra. Perhaps a portion of a larger composition. 


SCHOOL OF BASSANO 


SEVENTEENTH CENTURY 


-49—ECCE HOMO Life ie pe 


ri ay Se Height, 39 inches; width, 31 inches 


Curist, crowned with thorns and His hands bound, gazes out 
fixedly. ‘Two male figures on either side of him. 


DANIELE RICCIARELLI 
VoLTerRRA: 1509—1566 (? 


46 Ae fie 06\ 


50—THE DESCENT FROM THE CROSS Viam 
Height, 39 inches; width, 29 inches 
Tue Virgin, swooning in the foreground, is supported by the 


three Marys. St. Joseph of Arimathea and Nicodemus are taking 
down the body of Christ; numerous subsidiary figures. 


SCHOOL OF TINTORETTO 


51—AN ALLEGORY oy, yA (9 


PD. ae ean, 24 inches; length, 4114 inches 


A scENE in which numerous persons, dressed in gorgeous robes 
of office, are seen in a Venetian palace. A curtain hanging on the 
right. 


LOUIS GRANER-ARRUFI 


SPANISH: CONTEMPORARY 
52—MEDIT ATION User 8 
Height, 28 inches; length, 40 inches ‘ | 
A PEASANT seated, and leaning his left arm on the back of his 


chair as he smokes a cigar, looks out meditatively. A decanter 
and a glass on the table on the left. 


LEANDRO RAMON GARRIDO 
Frencu (Died 1908) | 


583—THE ART CRITIC Ck neck’ Y Lh 


/b s— Height, 40 inches; width, 30 mches 


A may, in black coat and green muffler, is seated in a chair and Da 
turned three-quarters to the left. He looks to the front, as he 
holds before him a framed picture. On a table in the foreground 
are sketches on panel, a decanter and a glass. Strongly lit back- 
ground, 


wf ance 
“4 


PAUL BELLANGER-ADHEMAR 


Frency: ConTEMPORARY 


54—BOATS 
: Qty Bart Og ina— 
ae Height, 821, inches; length, 461, inches (— 
e ( 


SaILine vessels are moored in the foreground on the left and the 
right; a rowboat passes between them. Houses on the shore in 
the center distance. Blue sky with clouds. 


Signed in the right bottom corner. 


ITALIAN SCHOOL 


EIGHTEENTH CENTURY 


55—PORTRAIT (supposed) VA Y rw p Vaae 
75° OF PIERO VETTOR 
(Wood) - 


Height, 48 inches; width, 34 inches 


THREE-QUARTER length, turned three-quarters to the left, an old 
man with gray beard, in a black robe trimmed with fur, is seated 
in an armchair and holds an open book in both hands. 


SPANISH SCHOOL 


EIGHTEENTH CENTURY 


56—A MUSICIAN ie Y/ Soon A 


“Le 
as Height, 4434 inches; width, 355 inches 


A man, in black doublet slashed with white and white sleeves, 
stands behind a parapet on which is an open music book. He is 
singing and playing on his guitar. 


SPANISH SCHOOL 


EIGHTEENTH CENTURY 


sI-THE GLUTTON §=£ fh, uf he 


faa Height, 45 inches; width, 8534 inches 


A MAN, standing behind a parapet, has before him a dish full 


of viands. 


SCHOOL OF BASSANO 


SEVENTEENTH CENTURY ‘ 


58—THE BUFFETING OF CHRIST 
. cere Height, 35 wmches; length, 47 wmches 


Curist in the center is seated in prison and is being buffeted by 
a figure on the right. In the left foreground kneels an old man, 
before whom is a page holding a lighted candle. 


? 


ITALIAN SCHOOL 


SEVENTEENTH CENTURY 


59—THE COURTESAN (called. “The Flagellation’ ) 


Sah 
| p- Height, 3834 inches; length, 52 g imches j 


A Capucuin monk, with a scourge in his right hand and a book 
in his left, threateningly approaches a half-nude woman who lies 
on the bed on the left. 


NORTH ITALIAN SCHOOL 


60—PORTRAIT (supposed) mb 
OF THE DUCHESS OF MODENA 


J/ 0 ‘_—_ Height, 521/, inches; width, 891 inches 


Lire size, three-quarter length, three quarters to the left. In 
black, low-cut dress embroidered with gold, and lace collar; fair 
hair ornately done. Her right hand on the chair. 


GUSTAVE ALFRED GUIGNERY 


Frencuo: ConTEMPORARY 


61—MOONLIGHT SEEGER LEGS PE 


SO a Height, 45 inches; length, 58 inches 


From a river bank, which projects out on the right, we look 
across a low moving river to the far bank with the trees of 
_ the background dimly seen by moonlight. 


Signed in the right bottom corner. 


A “Mention Honorable” has been awarded to this picture. 


NORTH ITALIAN SCHOOL 


Late SIXTEENTH CENTURY 


62—THE DEATH OF HERO 


/ 7S Height, 44 mches; length, 64 inches TG ae 


Iw the left distance, Hero, the priestess, disconsolate at the death 
of her lover Leander, the famous youth of Abydos, is diving from 
the light-house of Sestos into the waters of the Hellespont. In 
the foreground the river god bears on his shoulders the drowned 
form of Hero, and is about to place it in the arms of a nymph 
seated on the left on a rock in mid-stream. Three other nymphs 
hasten through the water to help. Figures on the coast of Sestos. 
Foliage landscape background on the right. 


Leander, her lover, had swum across every night to see Hero, guided 
by the light-house. One stormy night, the light failed and he was drowned. 
Overcome with grief, Hero took her life, as here rendered. 


a 


Ps i 


ANDRE DAUCHEZ 


FRENCH: Contemporary (Born 1870) 


63—UNDER THE OAK CHER < Xo (gue 


6 <— Height, 431% inches; length, 64 inches ( 


A GNARLED oak on the high bank, on the right, of an inland lake 
is seen with its wide-spread branches mirrored toward sunset in 


the waters on the left. A young woman, nude, walks out from the 
right to swim. 


Signed, and dated 1904, in the left bottom corner. 


ANNIBALE CARRACCI 
BoLocneEsE ScHoou: 1560—1609 


64—THE DEAD Coe C Mmwren- 


Circular: 60 inches by 60 inches 


Curist, nude but for a purple mantle spread across His loins, 
and wearing the Crown of Thorns, reclines in death on clouds 
borne aloft by angels. On the left is a Franciscan monk in 
ecstasy; another monk kneels on the right. 


SPANISH SCHOOL 
SEVENTEENTH pe): 


65—PORTRAIT OF A GENTLEMAN 


eee 


Height, 7314 inches; width, 4514 inches 


Fut length, life size. In black doublet and trunk hose embroid- 
ered with gold. Bearded, middle-aged and wearing a ruff. The 


right hand grasps a lance. Green curtain in the right back- 
ground. 


JUSTUS SUSTERMANS 


1597—1681 (Mrprecn 
66—PORTRAIT OF A NOBLEMAD 


lA ss ts Height, 76 inches; width, 5014, inches 


In black robe trimmed with gold, lace collar and cuffs. <A clock. 
on the table in the left foreground, his plumed helmet on the 
ground on the right. 


Apparently by Sustermans, a friend of Rubens and Van Dyck and 
painter to the Grand Dukes of Tuscany. Traditionally attributed to Moroni. 


THEODORE JOSEPH ALFRED BASTIEN 


FrencH: Contemporary (Born aA %. Pré 


67—PORTRAIT OF A SCULPTO 
OR OF THE SCULPTOR KERFYZER 


ee ‘ 
-~0v ee “© H@ight, 78 inches; width, 591% inches 


Tue interior of a studio. A statue model of a horse on the 
table in the left background. The young sculptor, standing and 
seen at full length, holds his pipe in his left hand; a mass of clay 
that he has been modeling is on a table. His figure is reflected 
in the glass of the picture on the right. A green-upholstered 
chair in the right foreground. 


Bénézit,—“Dictionnaire des Peintres,” p. 416. 


EMILE RENARD 


Frencu: Contemporary (Born 1850) 


68—BREAKFAST OF THE ORPHANS ON 
THE DAY OF THEIR FIRST EES 


geW) — Height, 77 inches; width, 68 inches? - L heelx 


An interior. Eight young girls, in white dresses and caps, are 
grouped round a table spread with a meal. The chair on the 
side nearest the front is vacant. Two nuns on the left are serv- 
ing dessert. ‘Through a door on the right enters another girl, 
followed by a third nun. Signed, and dated 1911. 


A Médaille d’Honneur, at the Paris Salon of 1911, was awarded to this 
picture, 


LIONEL WALDEN 


AMERICAN: Born 18 
69—FISHING IN THE dete 6p 


g6 Height, 6814 inches; length, 9444 mches 


Two rowboats; in each are three fishermen working by moonlight. 
Sailing vessels in the right background. 


BOLOGNESE SCHOOL 


70—A PLAGUE-STRICKEN 13 & fs 


57 Aca H eight, 6714 inches; length,-95 inches 


A woman, scantily clad, and accompanied by her child, walks 
falteringly toward the right; a dead woman and a man lie on the 


ground nearby. Withered trees in the barren landscape on 


the left. 
GIOVANNI GHISOLFI 
Minan: 16382—1 3 £ 
71I—PYRAMID OF CAIUS ee A 
in 0 “ie Height, 78 inches; length, 101 inches 


In the center of a desolate landscape is a pyramid. On the right 
is a life-size statue, but headless, with an inscription on the base. 
Figures are climbing over the capitals and columns strewn on 
the ground on the left; a shattered tree on the right. Blue sky 


with clouds. 


pe, ener. 


FERNANDO BIBIENA 
. BouoeneEse: 1657—1743 


72—_AN ARCHITECTURAL Dike 
enn i ee 


moot Height, 7814 inches; length, 115 inches 


Tue forecourt of an Italian palace bounded on three sides; tall 
columns, near the bases of which are various groups of men and 
women; acroteria above. On the balcony in the center is a 
group of officials. 


A very good picture of its rather unusual kind. 


LOUIS JEAN FRANCOIS LAGRENEE 
Frencu: 1725—1805 


73-NYMPHS AND SATYRS 


5 ee} a ip " Height, 9634, inches; length, 11s, wnches Zi 


Eveven figures in all, in varying postures. A nymph, in yellow 
and blue, is enthroned on the right, two Cupids by her and an- 
other in the sky. 


EMILE BOGGIO 


FRENCH: ConTEMPPORARY he, 

“aa & fore 

74—PLOUGHING pian 26,| pr 
Jib “— Height, 864, inches; length, 1261 inches 


A man is ploughing with a team of oxen in a field that looks 
down on to a winding river. Farm buildings in the left distance. 


Signed, and dated 1899, in the right bottom corner. 


SECOND AND LAST EVENING’S SALE 


> FRIDAY, MARCH 21, 1919 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 8.15 O'CLOCK 


BARTOLOMMEO MANFREDI 


Roman: 1580—1617 Pa Z, Og s 


75—_THE EDUCATION OF THE VIRGIN 
ce 
Height, 1314 inches; width, 914 mches 


Tue youthful Virgin, standing by the side of St. Anne, on whose 
knee rests a book, is reading. The bearded Joachim is seated 
in the left background. Angels are in the sky above. Architec- 
tural setting. 


CARLO MARATTI 
Roman: 1625—17138 


,.76-THE HOLY FAMILY nt Lael : 


Monochrome: Height, 1434 inches; od, Y, mcehes Pa 
&e 


Tue Virgin, with the Child on her lap, is seated on a throne on 
the right. In the right foreground stands St. Francis, while 
St. Joseph is on the left. Shepherds in the left background... An- 
gels in the sky. 


BOLOGNESE SCHOOL 


SEVENTEENTH CENTURY 


77—THE LAST SUPPER H, 


poate Height, 17 inches; width, ney 


Y/Y 


In the center, and at the far side of a table, Christ is seated be- 
tween the Apostles. His right hand is raised; His left grasps 
the chalice. Two figures, with a flagon and bowl between them, 
are in the foreground. Angels in the clouds. Dark background. 


ROMAN SCHOO | 
*, ¥. Lor 


78—THE ASSUMPTION OF THE VIRGIN 
SUR Height, 18 inches; width, 10 inches 


Tue Virgin, in red tunic and blue mantle, is borne upward on 
clouds by angels. Below, in the foreground, are St. Francis and 
St. Anthony in ecstatic contemplation of the sheet, strewn with 
roses, that covers the tomb and is at one end held up by an 
angel. 


SCHOOL OF FERRARA R 
79—CHRIST AMONG THE DOCTORS ; 
rhooo \ 


Height, 19 mches; width, 1814 inches 


Curist, enthroned, is disputing in the Temple, the Doctors being : 
grouped around the throne. 


ITALIAN SCHOOL 


EIGHTEENTH CENTURY 4 ake G , ] 


80—THE ASSUMPTION OF THE VERGIN 


pee Height, 19 inches; width, 12 inches 


Tue Virgin, supported on clouds, is borne aloft from her tomb 


by angels. 


BOLOGNESE SCHOOL 


81—_THE WAY TO i TOSS SER pan wat : W, 


g Height, 19 inches; width, 1834 imches 


Curist falls under the weight of the Cross as He moves toward 
the left. In the right foreground is St. Veronica with the su- 
darium. 'Two Roman soldiers, mounted, in the right background. 


SCHOOL OF JACQUES LOUIS DAVID 


FRENCH ML 
¢ fe ae ede 
82—A4A MYTHOLOGICAL SUBJECT 


Ft 


eae Height, 1914 inches; width, 1414, inches 


A BATTLE rages in the foreground, while a figure in classical attire 
is borne aloft by putti. 


FRENCH SCHOOL 


83ST. SEBASTIAN 9 | ee (? LlrAa 


pa ee: 2114 inches; width, 1014 mches 


THE vate saint is bound to the tree on the right, his body 
already transfixed by arrows as he gazes upward to Christ in 
Glory. A black-robed figure kneels in the left foreground. 


ITALIAN SCHOOL 


aes ee f YG Ga 


84 CHRIST PREACHING 
oie 
Curist, in his robe of office, is preaching to a cobbler, seated by 
a table at work on the left, and to a man with folded hands on 
the right. Other figures are in the left background. An angel 
in the sky. 


PIETRO DA CORTONA 
Tuscan: 1596—1669 


85—4 PROPHET *L ee (1 


(Companion picture to Nos. 86, 87 and 88) 


BL Gh 
Height, 151% inches; length, 21 inches 


A BEARDED figure in blue tunic and white mantle and accom- 
panied by a putto holds tablets in his left hand and gazes up- 
ward as he sits on a cloud placed on the spandrel of an arch. 


PIETRO DA CORTONA 
Tuscan: 1596—1669 


86—4A PROPHET Cig Bugle: 


xf ae Coampenion picture to Nos. 85, 87 and 88) 
Height, 151% inches; length 21 inches 


THE prophet, wearing a crown, a cuirass and a red mantle, with 


his harp, is seated on a cloud which obscures part of the spandrel 
of an arch. 


PIETRO DA CORTONA 
Tuscan: 1596—1669 


87—A PROPHET ad 


VG 
el 


(Companion picture to Nos. 85, 86 and 88) 
Height, 151% inches; length 21 imches 


A Heroic figure, fully draped in green and mauve, is seated on 


a cloud seen against the spandrel of an arch. A putto on the 
right. 


PIETRO DA CORTONA 
Tuscan: 1596—1669 
88—d PROPHET 


Beek _ 


slog (Companion picture to Nos. 85, 86 and 87) 


Height, 151% inches; length 21 inches 


A neroic figure, draped across the knees, is seated on a cloud 
against the spandrel of an arch. Two putti are behind him 


SIMON VOUET 
Frencu: 1590—1649 


8s9—A SAINT IN Oe (3 i= 


760 Height, 14 inches; length, % inches 
é 


Tue sketch for a ceiling painting. 'The bearded saint is seated 
among angels on a bank of clouds and gazes on high. 


EUSTACHE LE SUEUR 


FRENCH: ee aft 


90—MONKS IN CONTEMPLATION 
(Companion picture to No. 91) 


Gee 
: Height, 17 inches; length, 24 mches 


Two Carthusian monks are seated in rocky ground, in a deserted 
spot at the end of a valley, in religious contemplation. A city 
in the left distance. 


EUSTACHE LE SUEUR 


Frencu: 1616551655 Fee Ca 


91—MONKS IN CONTEMPLATION 
ie aA (Companion picture to No. 90) 


Height, 17 inches; length, 24 inches 


A Carruusian and another monk, in the left foreground in a re- 
tired spot on the bank of a river, contemplate the Cross. Cattle 
on the far side of the river on the right, and a castle set on a 


hill. 


4 


er 


LUCA GIORDANO 
Napres: 1682—1705 
92—d STUDY FOR A See hee ae TING 
‘a Height, 151% inches; length, 26 inches 
Tux hosts of heaven, seated or standing on clouds, play on mu- 


sical instruments. In the center is the legend: “Vocatum est 
nomen ejus Jesus.” 


JOHANN BAPTISTE LAMPI 
Trrou: aor Z Yrltle ky, 
ANAMAF f 
9838—_THE DEATH OF ACHILLES ic 
5 = Height, 181% inches; length, 24 inches 
ACHILLEs is outstretched on his mortal couch, while an assembly 


of men and women stand about in the classically appointed cham- 
ber, in unconcealed grief. 


SCHOOL OF SEVILLE 


94-THE NATIVITY Thanh Reichs: 


3 oad Height, 194% inches; length, 241% inches 


Tue Virgin reclines on her side in bed and receives the Infant into 
her arms from a handmaid. Another woman holds aside a cur- 
tain, while a third is seated near the bed. St. Joseph is on the 
left. 


FRENCH SCHOOL 
95—A CLASSICAL SUBJE 
S — Height, 24 inches; ad inches 
A wounpvep hero, wearing only his helmet, oe on a bed to 


the right, while a physician tends his wound. Other figures are 
nearby. 


ATTRIBUTED TO SIR GODFREY KNELLER 


96—PORTRAIT OF A MANZ X (3 gee 


os = Height, 24 inches; width, 20 inches. 


In black robe, edged with gold trimming; red turban; neutral 
background. 


ITALIAN SCHOOL 


EIGHTEENTH omic) ( | AG 


97—A BIBLICAL SUBJE 
) sb 


Height, 191% wmches; length, 2514 inches 


A composition of several small figures gathered round a well- 
head. A man brandishes his sword on the right. 


GIROLAMO MAZZUOLA 
Parma: 1500—1569 


98-HOLY FAMILY €f  / Cthiie, 


SA 
S —~ Monochrome: H eight, 28 inches; width, 1614 inches 


Tue Child is by the side of the Virgin, who is seated in the center. 
On the right, St. Joseph is at the carpenter’s bench. Archi- 
tectural background. The Eternal, surrounded by the heavenly 
host, is in the sky. 


SEBASTIANO CONCA 


Napres: 1679—1 aig f . Z, ROE AG. 


99 THE APPARITION OF CHRIST , 
TO ST. CAMILLUS OF ‘LELLIS 


tag SE 
Height, 27 inches; width, 19 wmches 


TuE Saint, seated in the foreground, with a crutch resting against 
his leg and ministered to by angels, sees in a vision the crucified 
Christ, who stretches out an arm to embrace him. Angels in 


the sky. 


GIACOMO GUERRINI 
Lomparp: 1718—1798 


100—THE LAST SUPPER Va I Oe 


J a Height, 26 inches; width, 194 inches 


Curist, wearing His traditional robes, is seated in the center 
and at the far side of the table; He administers the Sacrament to 
one of the Apostles; the other Apostles are grouped round the 
table. Angels are in the sky. 


CRISTOFORO CREO > 
Naptes: Circa 1711 


101—F 4ITH AND. TIME xX. oe SC on 


/2— « Height, 261 inches; width, 20 inches 


Time, winged and with books in hand, holds a chalice in an up- 
lifted left hand above the head of Faith, who, with wafer uplifted, 
reclines on a step. To the right are a bleeding heart, a book, a 


mask, a serpent and flowers. 
Signed: Creo F. 


JEAN BERAUD 
Frencu: Born 1849 


102—THE ADIEUX 


ye 7# Height, 26 imches; wilth, 21Y% inches 


OvuTsIDE a convent, on a road with a factory in the right fore 
ground, gendarmes are arresting two nuns, to the great grief of 
a group of school-children. 


ALESSANDRO TIARINI 
Botoena: 1577—1668 


1083—A HISTORICAL CORO NES ON 


og Monochrome: Height, 21 inches; engi 


OursIDE a classical edifice, and at the oe of steps that lead up 
to another temple, is a strangely disorderly scene. Some figures 
already massacred lie on the ground. An ox is held ready for 
sacrifice by a man in the right foreground. Buildings and in- ~ 
numerable figures in the background. 


EMILE BENEDICKTOFF HIRSCHFELD 


FreNcH: CONTEMPORARY 
104—THE STORM ‘4G. - 
wees, ¢ 
Pai ema Height, 29 inches; width, 2114 inches 
Unoer a dark and rain-swept sky sailing vessels with dark sails 


are seen by the faint rays of the moon. Lights are lit in some 
of the windows of the house in the center background. 


: FRANCESCO TREVISANI 
Rome: 1656—174 24 Lok 
rs 
105—CHRIST IN THE HOUSE 
OF MARY AND MARTHA 
ot 
+ Height, 2614 inches; width, 191% wmches 
CurisT is seated, in the center, near Mary and Martha and sev- 


eral male figures. Through an arch in the right background we 
see a table set with viands. . 


ITALIAN Be tac : 


106—THE FOUR DOCTORS OF THE CH 


' 


af ov Height, 35 inches; width, 161% inches 


St. Grecory, St. Ambrose, St. Augustine and St. Jerome are 
seated on clouds. Perhaps a sketch for a ceiling painting. 


EMILE FRIANT 


Frencu: Contemporary (Born 1863) 
107—4 NUDE YOUNG WOMAN 
3 poe Circular: Height, 30 inches; width, 25 imches 


A youne woman, nude and seen to the waist, with her hair 
disheveled as she knots it under her chin, looks seductively toward 
the right. The background is red and flower-patterned. 


NEAPOLITAN SCHOOL 


ns ees Cae a at. 
108—THE MADONNA AND CHILD A 
(Wood, rounded at the top) : a p 


7 ) a 
Height, 33 inches; width, 2114 mches 


Tue Virgin, in a dark blue mantle that frames in her head, wears 
a high and jeweled crown, which has a circular nimbus deco- 
rated with figures in the compartments and inscribed. Seraphim 
are in the sky. On her left arm she holds the Infant who is fully 
draped and has a circular nimbus. 


Painted under the influence of Spanish tradition. 


PIERINO DEL VAGA 
Rome: 1500—1547 _ 


109—A ROMAN BATTLE NE 
of ge Monochrome: Height, 214 inches; length, 364% inches 
TuHE battle is arranged with elephants, horses, mounted soldiers 


and infantry in great confusion. 'The scene is set on a a seashore, 
with vessels in the offing. Cloudy sky. 


SANTIAGO RUSINOL 


SPaNIsH: CoNTEMPORARY 


110—THE GARDEN 


rea Height, 33 inches; width, 241 inches 


A FORMAL garden with the box hedges cut and trimmed; the path 
ways seen in springtime, the moon rising. 


CHARLES LE BRUN 


Frencu: 1619—1690 9 SY R we 


111—A STUDY FOR A CEILING PAINTING 
Vid Height,.36 inches; width, 27 inches 


In the central compartment Christ is enthroned; the Holy dove 
appears in the bright light of heaven. A composition of numer- 
ous figures. 


ROMAN SCHOOL 


112—PORTRAIT OF AN ee ed 


? y of Height, 88 inches; width, 29 inches 
In ecclesiastical robes, turned three-quarters to the left, bearded, 
seen at half length and seated in a green chair. Neutral back- 
ground. 


ATTRIBUTED TO GABRIEL BLANCHARD 
FRENCH: 1630—1704 


1183—AN ALLEGORY SG. ee 


Bs o- SF Height, 27 inches; length, 38 inches” 


Aw allegorical figure is seated upon a throne, with books in a : 
basket at her feet. She is surrounded on all sides by female — 
figures. : : 3 Sc 


SCHOOL OF TIEPOLO 


114—A STUDY FOR A a | 
+ Height, 881% inches; width, 29 inches / 


oa ae 


Curist, in the clouds, holds a crown in either hand, and is sur- 
rounded by angels and Saints, some of whom have emblems. 


GIOVANNI LANFRANCO 


BoLocna geeks 
115—THEH ASSUMPTION OF pe Tomah VIRGIN 
JD Height, 39 inches; width, 29 mches 


Tue Virgin, in red tunic and blue mantle, is borne aloft by angels — 
on clouds. The Apostles are grouped upon an arch in the fore- 
ground. 


ATTRIBUTED TO ANTONIO MORO 
116—PORTRAIT OF A NOBLEM 


¥Z2 — — Height, 40 inches; width, 30 inches Y 


Hatr length; in a black robe trimmed with gold and lined with fur, 
and a black cap with a white feather. The right hand rests on 
the gloves placed on the table on the left; the left hand on the 
sword hilt. 


NORTH ITALIAN SCHOOL 


SEVENTEENTH CENTURY 


117-THE WOMAN TAKEN IN ADULTERY 
(Wood) 1G: ba 


1 ee 
Height, 311% inches; length, 4134 inches 


THE woman in blue robe open at the neck, and with arms crossed, 
looks with downcast gaze at Christ, who, on the right, raises His 
left hand. Composition of nine half-length figures smaller than 
life’ size. 


Possibly a copy, in reverse, of an earlier composition. 


OTTO VAN VEEN 
- Fremiso: 1558—1629 


TWELVE SCENES FROM THE LIFE OF CHRIST 
| I 


118—CHRIST RIDING INTO JERUSALEM 

. (Woo {Q ; 
Cees oe 
Height, 42 inches; width, 30 inches 


CuristT, in a purple robe, is seated on the ass which moves toward 
the right. The Apostles are gathered round, while three of their — 
number strew the ground with their garments. The city of 
Jerusalem in the background. 


II - 


119—CHRIST WASHING THE FEET 
OF THE APOSTLES 
'é F ve | (Wood) | 


Height, 42 inches; width, 30 inches 


Curist, in purple robe, washes the feet of the Apostles, one of 
whom is seated in the left foreground. Others await their turn. 
A man-servant approaches from the hall in the center back- 
ground, holding a vessel full of water. 


Ill 


1200—THE BETRAYAL 
[ ae (Wood) 
A) —- 


Height, 42 inches; width, 30 inches 


Jupas, in green robe and orange-yellow mantle, gives the traitor’s 
kiss to Christ, who is about to be arrested. Behind is a man 
holding a torch. A man on the right strikes off the ear of Mal- 
chus, who grasps a lantern in his left hand. 


IV 


121—_CHRIST BEFORE THE 
JUDGMENT SEAT 
ia 


Curist stands before the judgment seat on which, on the right, 
is Herod enthroned; standing on the steps to the left of the 
throne is the High Priest. More to the left are a soldier and 
the executioner; other soldiers in the background. 


- (Wood) 


Height, 42 inches; width, 30 inches 


Vv 
122—_CHRIST BOUND 
(Wood) 
t< & 
: i e Height, 42 inches; width, 30 inches 


Wiru His hands bound and in charge of armed soldiers, Christ 
stands in the left foreground before the enthroned Herod. A 
green curtain hanging behind the throne. 


wt 


123—PILATE WASHING HIS HANDS 


0 ae (Wood) i 


Height, 42 inches; width, 80 inches 
Pinate, on the judgment seat, is washing his hands in the water 


poured out of a ewer by a man-servant. In the left foreground 
Christ is escorted by the executioner and a soldier. 


ae 


124-CHRIST AT THE COLUMN 
. (Wood 4 | 
ene Cin 8 
GQ —~ . — Height, 42 inches; width, 80 inches 


CuristT, bound and wearing the ee nus is being scourged while 
a Roman official surveys the scene. ty 


Vill 


125—CHRIST MOCKED 


e y ge | (Wood) oh ‘ 
Height, 42 inches; width, 30 inches 

Curist, seated in the center foreground, is being mocked by the: ie 
old man, who, kneeling on the left, presents Him witha reed. The 


executioner superposes the Crown on His head. Soldiers and i 
officials in the background. s 


IX 


126—CHRIST BUFFETED 
(Wood) 


Pak 
BS ff purse Height, 42 inches; width, 30 inches 


Curist, whose head is enveloped in a white kerchief, is seated in 
the prison, with figures in various threatening attitudes surround- 
ing him. Soldiers in the background. 


4 


xX 


127—CHRIST CARRYING HIS CROSS 
(Wood) 


e* 
co =~ Height, 42 inches; width, 80, inches 


_ Curist, as He moves toward the right, faints under the load of 
the Cross; the executioner is about to strike Him. Groups of 


figures in the background; some of them mounted. 


xI 
128—_ASCENSION 
(Wood) 
(g* 
Height, 42 inches; width, 30 inches z 


Curist, with the banner of the Resurrection, ascends into heaven; 
soldiers are asleep and angels are near the tomb. The City of 
Jerusalem in the left background. 


XII 
129—PEHENTECOST 
b) ie (Wood) 
Height, 42 inches; width, 80 inches * > e 


Tue Virgin is seated in the center of a group of the Apostles 
in the middle distance; tongues of fire are on their heads. Other 
Apostles are gathered in the foreground and in a half-circle on 
either side. Angels are in the sky. The clouds are open to emit 
the Holy Ghost. 


ROBERT LEE MacCAMERON 
American: 1866—1912 


180—THE HABITUES of, %. (Semel _ 


Fy J ae Height, 491% inches; length, 65 inches 
A 


THREE men are seated round a table in a café dimly lit by a 
lamp. The one on the left grasps his glass of absinthe; in the 
center sits a man smoking his pipe; the old man to the right is 
reading the paper. 

Signed in the right bottom corner. 


NEAPOLITAN SCHOOL 


EIcgHTEENTH Century (?) 


131_V ANITY (fh, [3 
vr Height, 541% inches; length, 581% mches 
aire os 


Aw old woman, wearing Spanish spectacles and seated before a 
black-framed mirror held on a table by an attendant, looks at 
herself in it. Another attendant places a feather in her hair. 
(Injured in the center.) 


SCHOOL OF CHAR} ge LEBRUN ; 
‘ 


182—MICHAEL PURSUING LUCIFER 


sie a 
ai ae ; 


ae “eel Height, 411% inches; length, 6052 inches 


Tue Archangel Michael, as Lord of the Heavenly Host, clad in 
armor and buskins, is about to throw a thunder bolt on the dis- 
comfited Lucifer and his companions. (Injured at the top.) 


BERTHOLET FLAMAEL 
_ Friemiso: 1614—1675 


1388—A PAGAN SACRIFICE ( [7, (3 Ce Cp 
; 


va 4) 4f - Height, 47% inches; length, 591% inches 


A prisst stands before the altar on the left, and two other figures 
are prostrate before it. More to the right are executioners, with 
the ox, a group of men and two soldiers. A temple in the back- 
ground. 


The style recalls that of Nicholas Poussin, but characterizes the art of 
Bertholet Flamael, who was thus inspired. 


ANTOINE PONCHIN 


Frencuo: ConTEMPORARY 


134—_SUNSET ON THE LOIRE OF : 
V3 ee Height, 491% inches; length, 78 inches - bre Ge, 


A FisHine boat is moored in the left foreground, with two others ha 
in shallow water on the right near the bank, on which is a row 

of houses seen in the bright sunlight. In the left distance are 

small yachts; beyond, the bank rises abruptly. 


Signed in the right bottom corner. 


SPANISH SCHOOL 


SEVENTEENTH CENTURY 
185—PORTRAIT OF ALOYSIUS IKLLZZ Oprue Age... 


/ Ha + _ Height, 8014 imches; width, 477 inches ¢ 


Fut length, life size, in armor, the right hand grasping his 
lance. ‘The same man is seen on horseback in the right back- 
ground. Inscribed in the right foreground: 


“ALOYSIUS III COMPSIA 
COMES V VENVSII 
PRINCEPS PRIMUS” yv 
Ve 
Jo a dese AN 


oo Shar Yat eh 


FRENCH SCHOOL 


SIXTEENTH CENTURY 


: / ee 
iss—porTRaiT or (Ut Sern 
CHRISTOPHER DE LIGNIVILLE : 


Pd 353 “— Height, 7434 inches; width, 50 inches 


In a white and gold doublet, cloak and trunk hose, and gold chain. 
A coat-of-arms high up on the right; inscribed low down on the 
right: 7 

“Christophe de Ligniville chevr de lordre du Roy, Conseiller et Cham- 
bellan de S. A. Gnal de l’artillerie de Lorraine, A° de 28, 1564.” 


RAOUL DU GARDIER 


FRENCH 
187—THE YACHTING RH Oe (J | 
oF ¢ Height, 59 inches; length, 98 inches 


A apy, dressed in white, reclines on the left on deck; more to 
the right, a sailor talks to a man lying on top of the hatchway. 


Signed in the left bottom corner. 


LOUIS BEROUD 
Frencu: 1852— 


& om 
188—_THE RUBENS GALLERY 
IN THE LOUVRE MUSEUM 


G 


Height, 72%, mches; width, 7024 inches 


& ef 
: oa artist, with an attendant at his side, is painting the interior 
of the Salle Rubens in the Louvre. Rubens’s pictures of “The 
Marriage of Henry IV to Marie de Medici,” “The Marriage by 
Proxy” and the “Triumph of Truth over Time” are seen on 
the left. In the distance a view of the Salle Van Dyck. 


Signed, and dated 1908, m the left bottom corner. 


A characteristic work by this painter of French interiors. This gallery 
was only opened in May, 1900. | 


SCHOOL OF TIEPOLO 


139—BANQUETING SCENE OUT, EGEGIEL 
i 


se Ot Height, 931% inches; length, 9834 inches 


A Lapy in court attire is seated on the left; a dwarf stands by 
her side; attendants are grouped behind her. Two warriors are 
seated on the right. Architectural setting. 


ATTRIBUTED TO GUIDO RENI 


 140—THE E IRT Z 
SEVEN VIRTUES OPAL 


io 2 —— H eight, 79 inches; length, 100 inches 


Lire-sizE figures in a group. From left to right they may per- 
haps be described as Justice, Hope, Prudence, Faith, Charity, 
Temperance and Fortitude. They are seated on clouds and have 
distinguishing accessories. 


FLEMISH SCHOOL 


SEVENTEENTH a Das 


141—THE ADVENTURES OF PHILOPQiMEN 


v6 2 8 co Height, 9314, inches; length, 11244 wmches 


PHiILoP@MEN, a red-robed bearded man (B.C. 253-184), who is 
famous as the liberator of his country, is busy chopping wood in 
the left foreground; a woman places her hand on his arm. The 
scene is set outside the house, the interior of which on the right 
is hung with cooking utensils. A dead swan, deer, peacock, fruit 
and vegetables in the right foreground. 


CHARLES HOFFBAUER _ 
| _ Frencu: (Born 1875) 
142—A FLEMISH RISING a 

o ot 2 Height, 8214 inches; length, 12742 


A croup of peasants, ill clad and armed with rude Bn. tr 
disconsolately out of a bleak, snow-covered village. An old 
stands at his garden gate on the left. 


— 
Signed, and dated 1902, in the left bottom m comer 


Bénézit: “Dictionnaire,” 1910, p. 624, 


BHUE AAG ART ASSOCIATION, 
“Maxacens., 


THOMAS E. KIRBY, 


AUCTIONEER. 


AR 


_ THEIR WORKS se | 


a 


LIST OF ARTISTS REPRESENTED AND 
THEIR WORKS 


CATALOGUE 
on NUMBER 
BASSANO (School of) | 
Ecce Homo 49 
The Buffeting of Christ 58 
BASSETI, Marc AntTontio 
The Ascension of Christ | 35 


BASTIEN, THeopore JosErpH ALFRED 


Portrait of a Sculptor, or of the Sculptor 
Kerfyzer 67 


BELLANGER-ADHEMAR, Pav. 
Boats 54 


BERAUD, Jean 
The Adieux | 102 


BEROUD, Louis : 
The Rubens Gallery in the Louvre Museum 188 


BIBIENA, FErRNAnpdo 
An Architectural Design 72 


BLANCHARD, Gapsriet (Attributed to) 
An Allegory 113 


BOGGIO, Emrz 
Ploughing 74 


BOLOGNESE SCHOOL 


St. Anthony in Glory = 12 
The Apparition of Christ See 
A Plague-stricken City 70 
The Last Supper if 
The Way to Calvary 81 


CANTARINI, Sone 
The Last Judgment 3 18° 


CARRACCI, ANNIBALE 
The Dead Christ 64 


CERQUOZZI, MicueLancELo (Attributed to) 
The Adoration of the Magi 3 26 


CESARI, Gruserre (Attributed to) | 
St. John the Baptist 8 


CONCA, SEBASTIANO 


The Apparition of Christ to St. Camillus — 
of Lellis 99 


CORRADO, GIAcIntTo 


The Madonna and Child with Saints and 
Angels 30 


CORTONA, PIETRO DA 


A Prophet 85 
A Prophet 86 
A Prophet 87 
A Prophet 88 


CREO, Cristororo : , 
Faith and Time 101 


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DAUCHEZ, ANpRE: 
Under the Oak Tree 


DAVID, Jacques Louis (School of) 
3 A Mythological Subject 


DEL VAGA, PrErIno 
A Roman Battle Scene 


- DUTCH SCHOOL 


Portrait of a Girl 


FERRARA (School of) 
Christ among the Doctors 


FLAMAEL, Bertuo.er 
A Pagan Sacrifice 


FLEMISH SCHOOL 
The Stigmatization of St. Francis 
Christ on the Cross 
The Adventures of Philopoemen 


FRENCH SCHOOL 
A Scene of Martyrdom 
St. Sebastian 
A Classical Subject 
Portrait of Christopher de Ligniville 


FRIANT, Emir 
A Nude Young Woman 


GARDIER, Raovut pu 
The Yachting Party 


CATALOGUE 
NUMBER 


63 


82 


109 


10 


79 


133 


25 
46 
141 


24 
83 
95 
136 


107 


137 


GARRIDO, LEANDRO Ramon | 
The Art Critic 


GHISOLFI, Giovannt ~ 
Pyramid of Caius Cestius 


GIORDANO, Luca 
A Study for a Ceiling Painting 


GRANER-ARRUFI, Lovis 
Meditation 


GUERCINO, Francesco 
Christ in Glory 


GUERRINI, Giacomo 
The Last Supper 


GUIGNERY, GustTAveE ALFRED 
Moonlight 


HIRSCHFELD, Ei.e BENEDICKTOFF 
The Storm te 


HOFFBAUER, CHartezs 
A Flemish Rising 


ITALIAN SCHOOL 
The Nativity 
The Apparition of Christ 
The Baptism of Christ 
A. Classical Subject 
Flora 
A Saint in Glory 


CATALOGUE 
NUMBER 


ITALIAN SCHOOL—Continued 


A Classical Composition 48 
Portrait (supposed) of Piero Vettori 55 
The Courtesan (called “The Flagellation”) 59 
The Assumption of the Virgin 80 
Christ Preaching 84. 
A Biblical Subject 97 
The Four Doctors of the Church 106 


JOUVENET, JEan 
} Abraham Sacrificing Isaac 41 


KNELLER, Sm Goprrry (Attributed to) 
ae Portrait of a Man 96 


LAGRENEE, Lovuts Juan FRANCOIS 
Nymphs. and Satyrs 73 


LAMPI, Jowann Baptiste 
The Death of Achilles 93 


LANFRANCO, Giovanni 
The Assumption of the Virgin ARS 


LEBRUN, CuHartezs 
A Study for a Ceiling Painting 111 


LEBRUN, Cuartrs (School of) 
Michael Pursuing Lucifer 132 


LE MOYNE, Francois 
The Assumption of the Virgin 40 


LE SUEUR, EvustacHe 


Monks in Contemplation 
Monks in Contemplation 


LOCATELLI, ANnpREA 
Abraham Driving Forth Hagar and Ishmael 23 


MacCAMERON, Rogpert LEE 
The Habitués Bee 


MANFREDI, Bartrotommero | 
The Education of the Virgin 75 


MARATTI, Carto 
The Holy Family 76 


MAZZUOLA, GrroLamo 


The Madonna and Child with Saints 29 
Holy Family 298 


MORO, Antonio (Attributed to) 
Portrait of a Nobleman : 116 


NEAPOLITAN SCHOOL 


The Madonna and Child 108 
Vanity | 131 


NORTH ITALIAN SCHOOL 
Portrait (supposed) of the Duchess of 
Modena 60 
The Death of Hero 62 
The Woman Taken in Adultery 117 


PICARD, Louvuts 
~The Violet Girl 


__- PIEDMON'TESE SCHOOL 
a St. Onofrio (7?) 


PONCHIN, AnrToINnE 
Sunset on the Loire 


Ls ie og eS, fe a 7 
* ve : 

Ps \ 
A ‘> 7] z 


PRETI, Marria 
Cain and Abel 


RENARD, Emie ~ 


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Their First Communion 


RENI, Guino (Attributed to) 
The Seven Virtues 


4 8 Fe, ay, Fe 


RICARD-CORDINGLEY, G. 
Night in Cancale 


RICCI, Marco (Attributed to) 
St. Anthony in Glory 


RICCIARELLI, DANIELE 
The Descent from the Cross 


RIEDER, Marcer 
The Trio 


ROMAN SCHOOL 
St. Peter, in Prison 
St. Matthew 
St. Mark 


Breakfast of the Orphans on the Day of 


CATALOGUE 
NUMBER 


44 


43 


134 


68 


140 


39 


20 


50 


31 


i 


ROMAN SCHOOL—Continued 
St. Luke 
St. John 


The Assumption of the Virgin 
The Madonna and Child, with St. Anthony 


of Padua and Catherine of Siena 19 
The Assumption of the Virgin Be 


Portrait of an Ecclesiastic 112 


ROSSET-GRANGER, Enovarp : 
Curiosity 37 


RUSINOL, Santiaco 
The Garden 110 


SACCHI, ANDREA 
St. Gregory the Great during the Plague 32 


SEVILLE (School of) 


The Nativity _ 94 
SIRANI, Giovanni ANDREA ae 
The Nativity 14 
The Holy Family | 
SOLIMENA, Francusco 
The Madonna and Child 33 
SPANISH SCHOOL 
St. John Nepomucen 27 
The Madonna and Child 34 
Christ Bearing the Cross AT 
A Musician 56 
The Glutton 57 
Portrait of a Gentleman 65 


Portrait of Aloysius ITI 135 


EPOLO- (School of ) 


aes tae | Study for a Ceiling 
| a Soon Scene 


ORETTO. (School Of) 


“The a of Poetry 
~ Christ i in the House of Mary and Martha 


aa DYCK (School of) 
ee *Christ in the Tomb 


VAN LAAR, PIETER 
~ Returning from Market 


VAN VEEN, Orro 
I—Christ Riding into Jerusalem 


Apostles 
I1I—The Betrayal 
IV—Christ before the Judgment Seat 
V—Christ Bound 


TWELVE SCENES FROM THE LIFE OF CHRIST 


II—Christ Washing the Feet of the 


CATALOGUE 
“NUMBER 


66 


38 


103 


Lid 
139 


105 


15 


118 


119 
120 
121 
122 


om VIUL_Christ Meta 
i CRP se is Buffeted 
| X—Christ Carrying His 
XI—Ascension . 
XII—Pentecost <a 


VOUET, Stmon 
A Saint in Glory 


WALDEN, LIoNEL 
Fishing in the Roadstead 


INTELLIGENT APPRAISALS 


FOR 
UNITED STATES AND STATE TAX 


INSURANCE AND OTHER PURPOSES 


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% 
A 


‘THE AMERICAN ART ASSOCIATION 


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TO FURNISH 


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OF 


ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
ee. AND PERSONAL EFFECTS OF 
| EVERY DESCRIPTION 


AT CHARGES COMMENSURATE 
WITH THE DUTIES INVOLVED 


Se 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 


NEW YORK 
TELEPHONE, 3346 GRAMERCY 


Ly AOA GE IES 1 MR AE ag LR lp FEE ON a 


COMPOSITION, PRESSWORK 
AND BINDING BY 


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